![Mortal kombat trailer](https://www.okayplayer.com/media-library/mortal-kombat-trailer.jpg?id=33142882&width=1200&height=800&quality=90&coordinates=509%2C0%2C457%2C0)
Mortal kombat trailer
Photo Credit: HBO Max
To continue reading
Create a free account or sign in to unlock more free articles.
By continuing, you agree to the Terms of Service and acknowledge our Privacy Policy
Register
The content is free, but you must be subscribed to Okayplayer to continue reading.
THANK YOU FOR SUBSCRIBING
Join our newsletter family to stay tapped into the latest in Hip Hop culture!
Login
To continue reading login to your account.
Forgot your password?
Please enter the email address you use for your account so we can send you a link to reset your password:
One of the most iconic video game franchises will get another crack at a movie.
The first trailer for Mortal Kombat has been released. And, man, does it stay true to the video game's gory origins. The movie, which is rated R, features plenty of blood and gore for fans of the franchise. Originally released in arcades in 1992, Mortal Kobat was a fighting video game famous for "fatalities;" after a match was over, the winning character would have the opportunity to kill their foe in a bloody, grotesque way. (If this concept is confusing, here is a video that will help you out.)
The trailer features a number of iconic characters from the game, from Sub Zero to Scorpion to Sonja Blade to Shang Tsung. But, more importantly, the trailer features, a glimpse of iconic fatalities from the video game, including Lui Kang's dragon transformation and Kano's heart-snatch move. (You also see a glimpse of Sub Zero freezing and destroying Jax's arms.)
“The Fatalities were always in from the get-go, there was never any question from anyone at all. There was no resistance from the studio. They wanted them, I wanted them... There's a fatality from Kano, he ripped someone's heart out. But what was important to me was that even when the Fatalities arrived, we couldn't just do a Fatality and have it mean nothing. ... It actually becomes an important ingredient in the rhythm of the action scene.”