As her visibility has rose she has become a notable figure in other spaces. She appeared in Billboard’s pride issue alongside ILoveMakonnen, Adam Lambert, Tegan and Sara’s Tegan Quin, and Hayley Kiyoko, as well as spoke at the National Museum of African American History and Culture in honor of the 50th anniversary of the Stonewall Rebellion.
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Well pride ain’t over yet I’m so excited to grace the cover of Billboard magazine pride issue ! With these amazing individuals 🙌🏾We are so excited to represent for our 🏳️🌈 family ! 5 different walks of life living in there purpose 💞💞💞💞💞 @adamlambert @hayleykiyoko, @teganandsara @ilovemakonnen, @billboardpride @billboard photo credit @david_needleman bigfreedia #youalreadyknow #pridesummit thank you thank you thank you 🙌🏾
Still, regardless of her rising profile, Freedia also remains dedicated to serving New Orleans. Following Hurricane Katrina, Freedia was one of the first artists to return to the city and begin performing again.
In a 2010 story for NOLA.com, Alison Fensterstock wrote that Freedia “played six to 10 shows a week at block parties, nightclubs, strip clubs and anyplace that wanted 30 minutes of high-energy club-shaking bounce MCing.”
That dedication is still there. When I met up with her at Generations Hall prior to her guest performance at the Red Bull Dance Your Style competition, she says that she’s trying to bring back the old school feel of bounce music in New Orleans prior to Katrina.
“…we have those classics in those certain moments where we’re like, ‘Damn, you remember this from before the storm?'” Freedia said. “It was crazy. It still is crazy. But it was much crazier before Katrina.”
Freedia spoke with Okayplayer about bounce music, being friends with Magnolia Shorty, twerking, and more.
There’s been this resurgence in terms of women rappers, but somebody that I feel never gets mentioned in the conversation when it comes to women pioneers in rap is Magnolia Shorty. Were you close with her and do you feel like she created or helped the foundation in which women rappers exist now?
Most definitely. Me and Shorty definitely were friends. We actually were on our come up together, going hand in hand, shows after shows after shows. I had ran into her the weekend before the accident happened and we had five shows that night —
She was running into one, I was going out the other. It just kept happening all that night and we laughed about it. But she definitely was a trendsetter and she definitely set a milestone here for New Orleans for female rappers. There are female rappers all around the world but she’s also set a trend for other female rappers now to want to be like her and that sound. As you can see you see, you see the City Girls doing that same kind of Magnolia Shorty feel. So Magnolia Shorty definitely set the mile-high for bounce music and the culture for female rappers.
Is there something about old-school bounce that you miss? Or do you feel like there are certain things that aren’t as prevalent in bounce music now as they were back in the day?
Yeah, before Katrina it was just a lot more feeling of home and feeling the real culture of the bounce music, because once we got displaced a lot of people lost a lot of music and a lot of the mixes that we had before that. So right now, I’m trying to bring that feeling back. That feeling of the old-school bounce where it all got started, and then the transition of just all of the powerful mixes that we had that if you played it the whole New Orleans knew it. You know what I’m saying? So we have those classics in those certain moments where we’re like, “Damn, you remember this from before the storm?” And it’s a lot of that that we miss from before the storm. It was crazy. It still is crazy. But it was much crazier before Katrina. Just the feeling of the clubs, the feeling of the neighborhoods. Because we had the projects and we had the different neighborhoods. So all of that has changed and that plays a part on the culture.