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The 10 Best Aaliyah Songs That Weren't Radio Hits

The 10 Best Aaliyah Songs That Weren't Radio Hits

Photo Credit: Catherine McGann/Getty Images

With news that Aaliyah’s discography is coming to streaming platforms, we took a look at some of Baby Girl’s most underrated gems. Here are the best Aaliyah songs that weren’t radio hits 

The complete discography of the late R&B star Aaliyah will reportedly finally be available to the public on streaming services next year. Barry Hankerson, Aaliyah’s uncle and former head of the now-defunct label Blackground, took to his private Twitter account to announce the news, which comes over eighteen years after the songbird’s tragic death at the age of 22. 

As of now, the singer’s R. Kelly-produced debut effort, Age Ain’t Nothing But A Number, as well as a number of EPs — including Back & Forth and (At Your Best) You Are Love — are available to stream online. The rest of her lauded catalog is rumored to be making its long-awaited debut on January 16, which would have been Aaliyah’s 41st birthday.

Throughout her career, the Detroit singer teamed up with Static Major, Timbaland, Missy Elliott and more to create tracks that tested musical boundaries and dismantled the confines of genre, such as her hits “Try Again,” “Are You That Somebody?” and “Rock The Boat.” As with most artists, a plethora of songs in her collection weren’t as well-known to the mainstream. However, they showcased her ability to hopscotch between different production elements, vocal cadences and flows, and overall sonic sensations. 

Before her albums hit your favorite streaming service, take a listen to some of the most underrated songs — not ranked! — from the superstar who still had so much to offer.

10. “Man Undercover” (Timbaland and Magoo’s Welcome To Our World, 1997)

Although this song was featured on the dynamic Virginia duo’s debut project, Aaliyah’s pleasantly-smooth riffs — plus a vocal assist from Missy Elliott — prove that the ladies undeniably ran shit here. “Man Undercover” has production akin to the 1998 Baby Girl bop “Are You That Somebody?” –– even down to the Timbo ad-libs –– bringing flavor to a track that was ultimately ahead of its time, and solidifying the sweet swagger of the squad’s ingenue.

9. “Extra Smooth” (Aaliyah, 2001)

The Eric Seats and Rapture Stewart-produced “Extra Smooth” is the right combination of R&B flair and hip-hop grit that would become the hallmarks of Aaliyah’s sound, and the content showcases her feelings on certain men looking to be her one and only. As the lyrics show, the songstress has no problem letting a man know that he needs to come correct. “Am I supposed to talk to you, be your boo?” she jokes before affirming, “Don’t come tryna be extra smooth.”

8. “No Days Go By” (One in a Million, 1996)

The lighthearted “No Days Go By,” which was a One in a Million bonus track only available in Japan, perfectly encapsulates the easy, breezy and beautiful vibes Aaliyah was known for. Aaliyah sings to her lover, who she’s positively smitten with, throughout the nearly five-minute song. While much of the One in a Million LP discusses the difficulties of relationships, the hidden gem on her sophomore effort is the one that sounds and feels like a breath of fresh air.

7. “Read Between The Lines” (Aaliyah, 2001)

Aaliyah gave listeners a taste of her vastly underutilized lower register on the Bud’da-produced song from her third and final album (and yes, it’s just as intoxicating as her signature falsetto). The Latin-Influenced track features accompaniment from a stunning horn section. When coupled with a telenovela-style narrative of confronting a cheating lover — “Your replies are getting old…lies are getting told, look in his eyes, gotta read between the lines”—the track is taken to timeless thematic and audible heights. 

6. “Hot Like Fire” (One in a Million, 1996)

The OG version of “Hot Like Fire” let Aaliyah’s sensual vocals take the wheel, and allowed her to toy with sexuality without toeing the line. The result? One of the more consensual R&B joints of the lust-filled late ’90s. The sizzling track whets the listener’s appetite for more musical goodness, which they eventually received by way of Timbaland’s popular, hip-hop heavy remix. However, due to the heat emitted from the newer version, the glory of the studio edition fell by the wayside.

5. “You Won’t See Me Tonight” (Nas’ I Am…, 1999)

The 1999 Nas’ song features a slowed down sample of Jerry Goldsmith’s “Hang On,” which the Queens emcee and the New York-born singer rode with ease, resulting in a timeless tune. At the tail-end of the Timbaland-produced joint (the only time the 90s staples appeared on a song together), Nas refers to Aaliyah as “The Queen,” a title and sentiment that echoes even louder 20 years later, given her influence in the years after her death.

 4. “Don’t Know What To Tell Ya” (I Care 4 U, 2002)

Consider this Aaliyah’s version of “sorry to this man.” On wax, she’s shrugging off an insecure flame with trust issues due to his previous relationship trauma. An infectious bass and an Arabic-influenced sample runs through the track as she runs through the reasons why she won’t be “incarcerated” by her uptight beau. “Don’t compare me to your last one,” she chastises. “I can’t help it she was a fast one.” 

3 “A Girl Like You” (One in a Million, 1996)

With a knockout verse from the rapper Treach of Naughty By Nature, “Girl Like You” is sprinkled with summertime seasoning thanks to an appropriate sample by way of Kool & the Gang’s “Summer Madness.” Missy Elliott and Zhane reportedly laid down some of the oohs and ahhs in the background, which accompanied Aaliyah’s dreamy vocals and the positively East Coast-style boom-bat beat.

2. “Back In One Piece” feat. DMX (Romeo Must Die Soundtrack, 2000)

The song is billed as a rap/sung collabo, and Aaliyah takes a gracious backseat to DMX’s gravelly-voiced verses. However, her angelic coos and vocal gymnastics skills eventually get a chance to go for the gold. The track, featured on the soundtrack for her first Hollywood film, Romeo Must Die, brings Aaliyah’s eternally calm and cool attributes were brought center stage, proving she was a force to be reckoned with in booth and on the big screen.

1. “Loose Rap” (Aaliyah, 2001)

With pen work and a feature from the late Static Major, the duo subtly shades those who bring nothing remarkable to the table with their lazy pick-up lines (“Too many times you guys will come and step to me, I guess you call yourselves booking me, now do I look easy?” she sings). Even though both musicians have passed on, the song from Aaliyah’s self-titled final effort still feels refreshing and current, rendering both legacies everlastingly palpable.

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J’na Jefferson is a New York-based music and culture journalist whose work has been seen on Billboard, BBC Music, The Recording Academy and more.



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