femdot. is first out the gate this week with 94 Camry Music, Benjamin Earl Turner follows with Bad Nature, and Chris Crack'SNever Hated I Just Waited. Theodore Floyd drops Bird Sh*t and Max I Million is back with We Own The Night featuring your fav color.
Tek (of Smif-N-Wessun) drops off The Lost G-Mixes, Jansport J follows with the VINTAGEVIBESVOL1. [Beat Tape], Koralle drops Collecting Vol. 2, Drew Dave is back in the mix with Melaton(e)in and ELWD delivers on Collectables. Sh8peshifter closes this week with the After Darkness EP.
femdot. teams with Smino on the punchy, seven-track extended play titled 94 Camry Music. The project is an introspective chronicle of femdot.’s misadventures in his first whip.
Pivot Gang’s Benjamin Earl Turner is up to bat with a heatrock titled Bad Nature. The project is produced entirely by the in-house duo of Dae Dae and Daoud. The team gets some help behind the boards from Izaïah.
Chicago’s own Chris Crack follows the 2018 project Thanks Uncle Trill with his latest titled Never Hated I Just Waited featuring Ugly Boy Modeling, Your Old Droog, Gzus Piece, and more.
Stockholm representative Max I Million celebrates his debut solo album with the release of We Own The Night featuring Blu, Planet Asia, Twizzmatic, and more.
Tek (of Smif-N-Wessun) teases his forthcoming full-length album Priceless with the mashup project titled The Lost G-Mixes. Pairing his own verses with iconic tracks, he drops a real treat for fans.
Jansport J follows The Black Tape with the VINTAGEVIBESVOL1. [Beat Tape] featuring reworks of some of your jamminest r&b faves.
Source: Artist
Koralle - Collecting Vol. 2
Koralle (aka Lorenzo Nada) represents for Bologna with the follow-up to Collecting Vol. 1 titled Collecting Vol. 2. The series constructed from jazz samples and field recordings is a true gem.
Just months removed from the release of Passion/Purpose, Drew Dave returns to put on for the DMV with a smooth collection of joints titled Melaton(e)in.
UK producer ELWD follows the 2018 album Bad Timing with his latest titled Collectables. The eighteen-track project is a seamless clinic in pitch shifting and sample chopping for all interested parties.
