Posted on 07/17/2008
The fantasy art that adorns the cover of Exodus is the first clue to the music within, an epic near-masterpiece of a debut that finds Alex Moulton realizing his version of a classic '80s sci-fi soundtrack. Four years in the making, this synth-driven work distills the essence of legends Moroder and Vangelis, instilling it with the spirit of more recent heroes such as Carl Craig or Daft Punk, but exhibiting coherence in vision and level of execution that prevents it from devolving into mere stylistic derivation. The totality is simultaneously nostalgic and modern, well-capturing the historic influences in electronic dance music but utilizing the soundtrack concept to expand them into an album-length instrumental work that succeeds in transcending the singles market the style is best known for.

Though there are only suggestions as to the specific scenarios that various pieces might represent, one easily detects changes in mood and tension from track to track. The rhythms and stabs of "Meridians" are propelling, purposeful, and intense, while the lush, orchestral shimmering of "Together" enhances the romantic notion of its title. Live drums are omnipresent, providing extra punch to the frequently stellar and ever-evolving arrangements. Though guitar and electric bass make showcase appearances on selected tracks, layered synths are the feature, building up into high drama ("Pandemonium") and pulling back into quiet respite ("Ad Astra") as needed. Were this to be an actual soundtrack, it would require a very fantastic film to not be overwhelmed and dominated by such involved music.

Though excellent overall, it is not difficult to imagine that the density and length of the material might make it a difficult work for some to approach; the album may find its greatest resonance among other producers and musicians. Some, too, might be turned off by the sci-fi themes that are worn very proudly on the sleeve and in the barrage of synth arpeggios within. Suspension of any such prejudices will go a long way towards making this album appreciable to anyone, though electronic and dance fans will feel in Moulton the most obvious and natural rapport. Those who fall under its charms will no doubt find Exodus to be a very rewarding experience, and anyone curious about electronic music could do a lot worse than use it as an introduction.

- Justin Deremo